Sample Logic has done the math-and it equates to 2,400 trillion possible combinations. To give you a real sense of the possibilities, here are a few numbers: Over 2,000 sound sources, 1,000 soundcore presets, and 750 instrument presets. Tthe starting points provided are also incredible. If all this flexibility sounds overwhelming, don’t worry. These eight sources are grouped by twos in units that Sample Logic has named “soundcores.” And things start to get really crazy when you take advantage of the animation-equipped XY sliders and its 3D Mixer, which enables you to transition between different blends seamlessly.
You can run up to eight simultaneous sound sources in Infinity with FX processing. I implore everyone to try this out to see where it can fit into your process. As to be expected from this company, a massive variety of options are packaged in an extremely simple, powerful, and easy-to-navigate layout. Simply pick length, a playback speed and whether you want a tail or abrupt ending, and REV will create a perfect rise to match the tempo of your production.īetween these four engines, Output has created a tremendously unique and powerful instrument that covers all your reverse effects needs. “Rises” is comprised of hundreds of different “rise” cues that are divided among three tempo-synced banks. Lastly, a useful three-position playback slider adjusts speed with regular, half, and double as the options. The most simple loops are to the left and the most complex are to the right. Output continues to be a master of organization by laying out each bank across the keyboard by complexity. The “Loops” engine houses 15 banks of tempo-synced loops in 2 octaves and the possibilities are greatly expanded by the numerous FX presets.
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